Miguel Angel Belinchon “Belin” means, without the spirit of adulating or exaggerating, a revitalization essential for the history of Ibero-American pottery and pottery.

The incorporation of such an avant garde Belin vision into such an ancestral discipline (the art and technique of modeling and transforming clay into a physically eternal material) involves relocating the knowledge accumulated over millennia to the center of the contemporary creative hurricane.

It takes a lot of sensitivity, a lot of humility and a lot of audacity to get out of this company unscathed and satisfied.

We believe that Belin is endowed with the above mentioned qualities and with many other personal, professional and technical values to unite one of the most primitive plastic languages (ceramics) and a radically contemporary vision of the creative act.